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Ages 8+. Children under 4 are not permitted.

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Designed by Henry Beaumont Herts, The Shubert Theatre was built at the same time as the adjoining [Booth Theatre](https://www.newyorktheatreguide.com/theatres/booth-theatre). The Shubert Theatre officially opened on October 21, 1913 with *Caesar and Cleopatra* by George Bernard Shaw.

The theatre was named after Sam S. Shubert, one of the founding brothers of the Shubert Organization, which operates 17 Broadway venues. The Shubert Theatre building still houses the organization's offices on the top floor. The Shubert Theatre is a designated New York City landmark.

## How to get to the Shubert Theatre on Broadway

The Shubert Theatre is closest to the 42nd Street subway stop on the A, C, E, 1, 2, 3, 7, N, Q, R, W, and S lines. The closest bus stops are 8th Ave/W 46th St. on the M20 and M104 lines; 7th Ave/W. 44th St. on the M104 line; and 8th Ave/W 43rd St. on the M20, M104, and M34A-SBS line.


Shubert Theatre - NY

Shubert Theatre

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Ages 12+. Children under 4 are not permitted in the theatre.

Stereophonic on Broadway - NYC [29539]

Stereophonic on Broadway

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Heavenly harmonies can mask the hell it took to get the voices to blend. That’s one takeaway from David Adjmi’s [*Stereophonic*](https://www.newyorktheatreguide.com/show/29539-stereophonic-tickets), a play with music about a 1970s rock band.

Clocking in at just over three hours, the work is a worthwhile yet long-winded theatrical reminder that the 1977 blockbuster pop-rock album *Rumours* is a gift that keeps on giving. Specifically, the notorious tumult tied to sex, drugs, and creative battles Fleetwood Mac endured while making the album in California. 

That well-known saga already inspired *Daisy Jones & the Six*, first a novel and then a TV series. And, now, there’s *Stereophonic*, with a stage take on the tale.

Adjmi (*Stunning, 3C*) never names the band in the play, seemingly avoiding the name "Fleetwood Mac" with a 10-foot drumstick. But watching its members make music, love, and war for a year starting in June 1976 in a Sausalito recording studio, it’s impossible not to think of that group.

Similarly, *Stereophonic*'s fictional British/American band finds itself in an enviable and discomfiting position as its members record their new LP. Thanks to their earlier work, they’ve charted at No. 1. Success breeds success, but also anxiety, competition, and envy. 

That dynamic adds to an already volatile interpersonal situation, which the claustrophobic studio exacerbates. The marriage of cocaine-addled British bass player Reg (Will Brill) and vocalist/keyboardist Holly (Juliana Canfield) is dying. Meanwhile, vocalist/guitarist (Tom Pecinka) bullies his lead vocalist girlfriend Diana (Sarah Pidgeon) and systematically erodes her confidence. Finally, being away from his wife and kids is wrecking Simon (Chris Stack), the drummer.

When they’re snorting blow, the players rage at their significant others or throw their weight around. Sound engineer Grover (Eli Gelb) and his assistant Charlie (Andrew R. Butler) deserve combat pay. 

The players do manage to lay down tracks on new songs. Whenever the band gets busy, *Stereophonic* comes alive – and the actor-musicians completely convince as rockers.

Original songs by Arcade Fire alum Will Butler deftly summon a late ’70s sound. Compositions neatly underline the plot, whether it’s “Masquerade,” a title that speaks for itself; “Drive,” speaking of “love waiting in the wind”; and the plaintive “East of Eden.” Whether any of these songs make the cut for the album is a question, just like the fate of the band left in shambles after the recording process.

There’s a lot to admire about *Stereophonic*. The cast gives feel-real performances under the thoughtful direction of Daniel Aukin. David Zinn's recording studio set could pass for the real thing. Enver Chakartash's costumes, particularly the chunky-heeled huaraches, could have walked out of a ’70s closet.  

On the B-side (er, downside), Adjmi calls the play a “love letter to artists.” In terms of fresh ideas about the creative process, the play doesn’t deliver an LP’s worth of insights. In the end, it feels like a song we’ve heard before.

[*Stereophonic* is at Playwrights Horizons through November 26.](https://www.newyorktheatreguide.com/show/29539-stereophonic-tickets)

*Photo credit: Sarah Pidgeon, Juliana Canfield, and Tom Pecinka in Stereophonic. (Photo by Chelcie Parry)*

'Stereophonic' review — a familiar song about the trials of rock and roll

Read our review of *Stereophonic*, a new 1970s rock-inspired play with music, currently playing off Broadway at Playwrights Horizons through November 26.

Designed by Herbert J. Krapp for Irwin Chanin, the John Golden Theatre officially opened as the Theatre Masque on February 24, 1927 with the play *Puppets of Passion*. The Golden Theatre was purchased by impresario John Golden in 1937, who renamed the theatre after himself.

The building was used as a cinema in the late 1940s and 1950s before the Shubert Organization purchased and restored it to traditional theatre usage. The exterior of the Golden Theatre was used in the film adaptation of *A Chorus Line*.

## How to get to the Golden Theatre on Broadway

The Golden Theatre, on 45th Street between Eighth Avenue and Broadway, is closest to the 42nd Street - Port Authority subway stop on the A, C, or E line. The theatre is also accessible by bus, with the closest stops being 8th Ave/W 46th St. on the M20 and M104 lines; 7th Ave/W. 44th St. on the M104 line; and 8th Ave/W 43rd St. on the M20, M104, and M34A-SBS line.

Golden Theatre - NY

Golden Theatre

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Ages 10+. Children under 4 are not permitted in the theatre.

The Notebook: The Musical on Broadway - NYC [33744]

The Notebook: The Musical on Broadway

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Designed by Herbert J. Krapp and built by the Shuberts in 1917, the Gerald Schoenfeld Theatre originally opened as the Plymouth Theatre in 1918. The theatre was leased to producer Arthur Hopkins, whose first production at the venue was the comedy *A Successful Calamity*, starring William Gillette and Estelle Winwood.

The Shuberts regained control of the theatre in 1948 after Hopkins passed away. The building became a designated New York landmark in 1987 and received its current name in 2005 to honor the late chairman of the Shubert Organization.

The theatre's architectural style is similar that of the Broadhurst Theatre on 44th Street, which directly abuts the Schoenfeld. Krapp designed both theatres, and they were built at the same time.

## How to get to the Gerald Schoenfeld Theatre on Broadway

The Gerald Schoenfeld Theatre is closest to the 42nd Street - Port Authority subway stop on the A, C, and E subway lines. The closest bus stops are 8th Ave/W 46th St. on the M20 and M104 lines; 7th Ave/W. 44th St. on the M104 line; and 8th Ave/W 43rd St. on the M20, M104, and M34A-SBS line.

## Restaurants near the Gerald Schoenfeld Theatre

The Gerald Schoenfeld Theatre is located one block southeast of Restaurant Row, the stretch of 46th Street between Eighth and Ninth Avenues lined with eateries serving various cuisines. Popular examples include Becco (Italian), Joe Allen (American), Le Rivage (French), and Jasmine's Caribbean Cuisine.

[Learn more about popular pre- and post-show restaurants in the Theatre District.](https://www.newyorktheatreguide.com/theatre-news/news/where-to-eat-before-and-after-a-broadway-show)

Gerald Schoenfeld Theatre - NY

Gerald Schoenfeld Theatre 

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Lempicka on Broadway - NYC [25999]

Lempicka on Broadway

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The Longacre Theatre was designed by Henry Beaumont Herts and named after Longacre Square (now Times Square). The theatre was built by producer/manager H.H. Frazee — best known as the Boston Red Sox owner who sold Babe Ruth to the Yankees — and officially opened on May 1, 1913 with the William Hurlbut-Frances Whitehouse comedy *Are You a Crook?*

After Frazee fell into financial trouble, the theatre changed hands many times before being sold to Astor Theatre Incorporated, a Shubert Organization subsidiary, in 1919. The Shuberts continue to own the building. During the 1940s and 1950s, the building also served as a radio and television studio.

The facade and interior of the Longacre are designated New York City landmarks.

## How to get to the Longacre Theatre on Broadway

The Longacre Theatre is closest to the 50th Street subway stops on either the C, E, or 1 line. The 49th Street stop on the N, R, and W line is also nearby.

The nearest bus stops are 7th Ave/W 50th St. stop on the M7, M20, and M104 lines; the 8th Ave./W 49th St. stop on the M20 and M104 lines; and the 7th Ave/W 49th St. stop on the M50 line.

## Restaurants near the Longacre Theatre

Popular restaurants near the Longacre Theatre include La Masseria (Italian), P.S. Kitchen (vegan), Junior's (American), and Lillie's Victorian Establishment (British/pub food). [Learn more about popular pre- and post-show restaurants in the Theatre District.](https://www.newyorktheatreguide.com/theatre-news/news/where-to-eat-before-and-after-a-broadway-show)

Longacre Theatre - NY

Longacre Theatre

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Ages 8+. Children under 5 will not be admitted.

Wicked on Broadway - NYC [1]

Wicked on Broadway

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There have been moments in the history of musical theater when, like a twister, the sheer talent and whirling spectacle of a production have flattened any negative criticism that stood to get in its way. Take October, 2003 for example. That was the month that <a href="/show/wicked">Wicked </a>opened in New York to generally dour reviews. But since then, more than 8.8 million people have found the heart, nerve and wisdom to pay a visit, resulting in the happy scene of a Broadway house filled with as many teens as adults, and making a tale, born from a 115-year-old children's novel, one of the top five highest grossing shows of all time.The latest incarnation of this impeccably oiled entertainment machine finds a new gear courtesy of a British import. Reprising the role she played on the West End for three years, Rachel Tucker steps in as the green-skinned Elphaba, a.k.a. the Wicked Witch of the West, and nearly blows the roof off the massive Gershwin Theatre with her opening number, "The Wizard and I." As the song reaches its climax, Tucker raises her arms, not especially high, but in a crooked witchly fashion, showing off the kind of smart physicality she brings throughout the evening. Opposite her, as Glinda the Good, Kara Lindsay aces the delicate assignment of being both ditzy blonde and sensitive friend while showing off her clear soprano and great comic chops.Among the show's many happy surprises, Michele Lee turns up, in fine form, as the scheming Madame Morrible, and Arielle Jacobs charms us from a wheelchair as Nessarose, until that unfortunate incident with a falling house. James Lynn Abbott's best moment of choreography comes not from any of the numerous, raucous ensemble pieces, but from a beautifully rendered bit of quiet ballet that arrives unexpectedly during the energetic "Dancing Through Life." And Stephen Schwartz's classic score provides a wonderful playground for the cast to swing upon, while reminding us of this composer's important history. Close your eyes and hear strains of Pippin in "As Long as You're Mine." Find the hint of Godspell playfulness in the staccato beats of "What is this Feeling."The Wikipedia plot summary for Wicked is over 2100 words long, which speaks not only to the show's dedicated fan base, but to the fact that this is a musical with a lot going on. It's a romantic comedy with strong political undertones, an animal rights treatise with a talking goat and flying monkeys, a parable on the pitfalls of getting what you want, a warning on the limits of friendship, and an homage to a classic film. In the realm of mythology, green-hued creatures have never had a simple time of it (see Shrek, Hulk, et al.), and rare is the story, let alone the musical, that is centered on two women who are unrelated, yet have a complex emotional attachment, while still remaining starkly unique individuals. But Eugene Lee's epic scenic design provides the framework to tie everything together. The show is completely set within the machinations of a huge clock, the Clock of the Time Dragon to be precise. And whether or not you are up on your Oz lore, this seems, at first, incongruous with the magical proceedings on stage. Why is Glinda's bubble-mobile so pendulum like? But then the metaphor becomes clearer. "I would do anything to turn back the clock," laments Elphaba, and later she demands, "Wait just a clock tick!" Once a spell is cast, it cannot be undone. Life moves forward, and Wicked reveals itself to be, more than anything else, a cautionary tale about learning to live with one's choices.(Photo by Joan Marcus)<hr />"'Wicked' does not, alas, speak hopefully for the future of the Broadway musical." Ben Brantley for New York Times"It's such a 'Wicked' waste of talent." Howard Kissel for New York Daily News"The most complete, and completely satisfying, new musical I've come across in a long time." Elysa Gardner for USA Today"Overproduced, overblown, confusingly dark and laboriously ambitious jumble." Linda Winer for Newsday"Far too arch and sophisticated for children...lacks... sophistication and wit that would make it palatable for adults." Frank Scheck for Hollywood Reporter"The best thing about 'Wicked' is its stars, whose talents cast a powerful spell." Roma Torre for NY1"Lavish, ambitious and problematic." Michael Kuchwara for Associated Press<a href="http://www.nytimes.com/2003/10/31/arts/theater/31WICK.html" target="Top">New York Times</a> - <a href="http://www.usatoday.com/life/theater/2003-10-30-wicked_x.htm" target="Top">USA Today</a> - <a href="http://www.ny1.com/ny/Living/SubTopic/index.html?topicintid=4&amp;subtopicintid=14&amp;contentintid=34381" target="Top">NY1</a>

'Wicked' review

Built on the site of the historic Capitol Theatre by Harold and Percy Uris, and designed by Ralph Alswang, the Gershwin Theatre opened on November 28, 1972 as the Uris Theatre.

The premiere production was the musical *Via Galactica*, starring Raul Julia. The Gershwin has served as a traditional theatre for the majority of its existence, though the venue was a concert hall from 1974 to 1976.

The theatre was renamed to honor composer and lyricist duo George and Ira Gershwin during the 37th Tony Awards on June 5, 1983. The Gershwin has the largest seating capacity on Broadway at 1,933 seats, and it houses the American Theatre Hall of Fame in its lobby.

## How to get to the Gershwin Theatre on Broadway

The Gershwin Theatre is closest to the 50th Street subway stops on the C, E, and 1 lines. The theatre is also equidistant from the 7th Ave/W 50th St. and 8th Ave/W 50th St. bus stops on the M50 line.

## Restaurants near the Gershwin Theatre

Popular restaurants near the Gershwin Theatre include Junior's (American), Saar (Indian), Lillie's Victorian Establishment (British/pub food), and The Blue Dog (American). Across Broadway is Ellen's Stardust Diner, a New York institution famous for its singing waitstaff.

[Learn more about popular pre- and post-show restaurants in the Theatre District.](https://www.newyorktheatreguide.com/theatre-news/news/where-to-eat-before-and-after-a-broadway-show)

## Where is *Wicked* on Broadway playing?

*Wicked* on Broadway plays the Gershwin Theatre at 222 West 51st St. The musical has played there since its opening in 2003, and *Wicked* has since become the fifth longest running Broadway show of all time.

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Gershwin Theatre

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